Keil & Delitzsch

On Psalms 98:7-9

Here, too, it is all an echo of the earlier language of Psalms and prophets: Psa 98:7 = Psa 96:11; Psa 98:7 like Psa 24:1; Psa 98:8 after Isa 55:12 (where we find מחא כּף instead of the otherwise customary תּקע כּף, Psa 47:2; or הכּה כּף, Kg2 11:12, is said of the trees of the field); Psa 98:9 - Psa 96:13, cf. Psa 36:10. In the bringing in of nature to participate in the joy of mankind, the clapping rivers (נהרות) are original to this Psalm: the rivers cast up high waves, which flow into one another like clapping hands;

(Note: Luther renders: "the water-floods exult" (frohlocken); and Eychman's Vocabularius predicantium explains plaudere by "to exult (frohlocken) for joy, to smite the hands together prae gaudio;" cf. Luther's version of Eze 21:17.)

cf. Hab 3:10, where the abyss of the sea lifts up its hands on high, i.e., causes its waves to run mountain-high.

Matthew Henry

On Psalms 98:4-9

The setting up of the kingdom of Christ is here represented as a matter of joy and praise.

I. Let all the children of men rejoice in it, for they all have, or may have, benefit by it. Again and again we are here called upon by all ways and means possible to express our joy in it and give God praise for it: Make a joyful noise, as before, Psa 95:1, Psa 95:2. Make a loud noise, as those that are affected with those glad tidings and are desirous to affect others with them. Rejoice and sing praise, sing Hosannas (Mat 21:9), sing Hallelujahs, Rev 19:6. Let him be welcomed to the throne, as new kings are, with acclamations of joy and loud shouts, till the earth ring again, as when Solomon was proclaimed, Kg1 1:40. And let the shouts of the crowd be accompanied with the singers and players on instruments (Psa 87:7; Psa 68:25), as is usual in such solemnities. 1. Let sacred songs attend the new King: "Sing praise, sing with the voice of a psalm. Express your joy; thus proclaim it, thus excite it yet more, and thus propagate it among others." 2. Let these be assisted with sacred music, not only with the soft and gentle melody of the harp, but since it is a victorious King whose glory is to be celebrated, who goes forth conquering and to conquer, let him be proclaimed with the martial sound of the trumpet and cornet, Psa 98:6. Let all this joy be directed to God, and expressed in a solemn religious manner: Make a joyful noise to the Lord, Psa 98:4. Sing to the Lord, (Psa 98:5); do it before the Lord, the King, Psa 98:6. Carnal mirth is an enemy to this holy joy. When David danced before the ark he pleaded that it was before the Lord; and the piety and devotion of the intention not only vindicated what he did, but commended it. We must rejoice before the Lord whenever we draw near to him (Deu 12:12), before the Lord Jesus, and before him, not only as the Saviour, but as the King, the King of kings, the church's King, and our King.

II. Let the inferior creatures rejoice in it, Psa 98:7-9. This is to the same purport with what we had before (Psa 96:11-13): Let the sea roar, and let that be called, not as it used to be, a dreadful noise, but a joyful noise; for the coming of Christ, and the salvation wrought out by him, have quite altered the property of the troubles and terrors of this world, so that when the floods lift up their voice, lift up their waves, we must not construe that to be the sea roaring against us, but rather rejoicing with us. Let the floods express their joy, as men do when they clap their hands; and let the hills, that trembled for fear before God when he came down to give the law at Mount Sinai, dance for joy before him when his gospel is preached and that word of the Lord goes forth from Zion in a still small voice: Let the hills be joyful together before the Lord. This intimates that the kingdom of Christ would be a blessing to the whole creation; but that, as the inferior creatures declare the glory of the Creator (Psa 19:1), so they declare the glory of the Redeemer, for by him all things not only subsist in their being, but consist in their order. It intimates likewise that the children of men would be wanting in paying their due respects to the Redeemer, and therefore that he must look for his honour from the sea and the floods, which would shame the stupidity and ingratitude of mankind. And perhaps respect is here had to the new heavens and the new earth, which we yet, according to his promise, look for (Pe2 3:13), and this second mention of his coming (after the like, Psa 96:1-13) may principally refer to his second coming, when all these things shall be so dissolved as to be refined; then shall he come to judge the world with righteousness. In the prospect of that day all that are sanctified do rejoice, and even the sea, and the floods, and the hills, would rejoice if they could. One would think that Virgil had these psalms in his eye, as well as the oracles of the Cumean Sibyl, in his fourth eclogue, where he either ignorantly or basely applies to Asinius Pollio the ancient prophecies, which at that time were expected to be fulfilled; for he lived in the reign of Augustus Caesar, a little before our Saviour's birth. He owns they looked for the birth of a child from heaven that should be a great blessing to the world, and restore the golden age: -

Jam nova progenies coelo demittitur alto -

A new race descends from the lofty sky;

and that should take away sin: -

Te duce, si qua manent sceleris vestigia nostri,

Irrita perpetua solvent formidine terras -

Thy influence shall efface every stain of corruption,

And free the world from alarm.

Many other things he says of this long-looked-for child, which Ludovicus Vives, in his notes on that eclogue, thinks applicable to Christ; and he concludes, as the psalmist here, with a prospect of the rejoicing of the whole creation herein: -

Aspice, venturo laetentur ut omnia saeclo -

See how this promis'd age makes all rejoice.

And, if all rejoice, why should not we?

Spurgeon's Treasury of David

Let the sea roar, and the fulness thereof. Even its thunders will not be too grand for such a theme. Handel, in some of his sublime choruses, would have been glad of its aid to express his lofty conceptions, and assuredly the inspired psalmist did well to call in such infinite uproar. The sea is his, let it praise its Maker. Within and upon its bosom it bears a wealth of goodness, why should it be denied a place in the orchestra of nature? Its deep bass will excellently suit the mystery of the divine glory. The world, and they that dwell therein. The land should be in harmony with the ocean. Its mountains and plains, cities and villages, should prolong the voice of jubilee which welcomes the Lord of all. Nothing can be more sublime than this verse; the muses of Parnassus cannot rival the muse of Zion, the Castallan fount never sparkled like that "fount of every blessing" to which sacred bands are wont to ascribe their inspiration. Yet no song is equal to the majesty of the theme when Jehovah, the King, is to be extolled.

Tyndale Study Notes

On Psalms 98:7-9

98:7-9 The created order is personified as rejoicing at the coming of the righteous Judge (see 93:3-4; 96:11-13).

Tyndale Open Study Notes · CC BY-SA 4.0