Spurgeon's Treasury of David
On Psalms 77:1
About this Psalm
TITLE. To the Chief Musician, to Jeduthun. It was meet that another leader of the psalmody should take his turn. No harp should be silent in the courts of the Lord's house. A Psalm of Asaph. Asaph was a man of exercised mind, and often touched the minor key; he was thoughtful, contemplative, believing, but withal there was a dash of sadness about him, and this imparted a tonic flavour to his songs. To follow him with understanding, it is needful to have done business on the great waters, and weathered many an Atlantic gale.
DIVISION. If we follow the poetical arrangement, and divide at the Selahs, we shall find the troubled man of God pleading in Ps 77:1-3, and then we shall hear him lamenting and arguing within himself, Ps 77:4-9. From Ps 77:10-15 his meditations run toward God, and in the close he seems as in a vision to behold the wonders of the Red Sea and the wilderness. At this point, as if lost in an ecstasy, he hurriedly closes the Psalm with an abruptness, the effect of which is quite startling. The Spirit of God knows when to cease speaking, which is more than those do who, for the sake of making a methodical conclusion, prolong their words even to weariness. Perhaps this Psalm was meant to be a prelude to the next, and, if so, its sudden close is accounted for. The hymn now before us is for experienced saints only, but to them it will be of rare value as a transcript of their own inner conflicts .
Exposition
I cried unto God with my voice. This Psalm has much sadness in it, but we may be sure it will end well, for it begins with prayer, and prayer never has an ill issue. Asaph did not run to man but to the Lord, and to him he went, not with studied, stately, stilted words, but with a cry, the natural, unaffected, unfeigned expression of pain. He used his voice also, for though vocal utterance is not necessary to the life of prayer, it often seems forced upon us by the energy of our desires. Sometimes the soul feels compelled to use the voice, for thus it finds a freer vent for its agony. It is a comfort to hear the alarm bell ringing when the house is invaded by thieves. Even unto God with my voice. He returned to his pleading. If once sufficed not, he cried again. He needed an answer, he expected one, he was eager to have it soon, therefore he cried again and again, and with his voice too, for the sound helped his earnestness. And he gave ear unto me. Importunity prevailed. The gate opened to the steady knock. It shall be so with us in our hour of trial, the God of grace will hear us in due season.
John Gill
On Psalms 77:1
I cried unto God with my voice,.... Which is to be understood of prayer, and that vocal, and which is importunate and fervent, being made in distress; see Psalm 3:4, or "my voice was unto God" (h), "and I cried"; it was directed to him, and expressed in a very loud and clamorous way:
even unto God with my voice; or "my voice was unto God"; which is repeated to show that he prayed again and again, with great eagerness and earnestness, his case being a very afflicted one:
and he gave ear unto me; his prayer was not without success; God is a God hearing and answering prayer, according to his promise, Psalm 50:15.
(h) "vox mea ad Deum", Pagninus, Montanus, Musculus, "fertur", Junius & Tremellius; "erat", Cocceius.
Keil & Delitzsch
On Psalms 77:1-3
The poet is resolved to pray without intermission, and he prays; fore his soul is comfortless and sorely tempted by the vast distance between the former days and the present times. According to the pointing, והאזין appears to be meant to be imperative after the form הקטיל, which occurs instead of הקטל and הקתילה, cf. Psa 94:1; Isa 43:8; Jer 17:18, and the mode of writing הקטיל, Psa 142:5, Kg2 8:6, and frequently; therefore et audi = ut audias (cf. Sa2 21:3). But such an isolated form of address is not to be tolerated; והאזין has been regarded as perf. consec. in the sense of ut audiat, although this modification of האזין into האזין in connection with the appearing of the Waw consec. cannot be supported in any other instance (Ew. ֗234, e), and Kimchi on this account tries to persuade himself to that which is impossible, viz., that והאזין in respect of sound stands for ויאזין. The preterites in Psa 77:3 express that which has commenced and which will go on. The poet labours in his present time of affliction to press forward to the Lord, who has withdrawn from him; his hand is diffused, i.e., stretched out (not: poured out, for the radical meaning of נגר, as the Syriac shows, is protrahere), in the night-time without wearying and leaving off; it is fixedly and stedfastly (אמוּנה, as it is expressed in Exo 17:12) stretched out towards heaven. His soul is comfortless, and all comfort up to the present rebounds as it were from it (cf. Gen 37:35; Jer 31:15). If he remembers God, who was once near to him, then he is compelled to groan (cf. Psa 55:18, Psa 55:3; and on the cohortative form of a Lamed He verb, cf. Ges. ֗75, 6), because He has hidden Himself from him; if he muses, in order to find Him again, then his spirit veils itself, i.e., it sinks into night and feebleness (התעטּף as in Psa 107:5; Psa 142:4; Psa 143:4). Each of the two members of Psa 77:4 are protasis and apodosis; concerning this emotional kind of structure of a sentence, vid., Ewald, ֗357, b.
Matthew Henry
On Psalms 77:1-10
We have here the lively portraiture of a good man under prevailing melancholy, fallen into and sinking in that horrible pit and that miry clay, but struggling to get out. Drooping saints, that are of a sorrowful spirit, may here as in a glass see their own faces. The conflict which the psalmist had with his griefs and fears seems to have been over when he penned this record of it; for he says (Psa 77:1), I cried unto God, and he gave ear unto me, which, while the struggle lasted, he had not the comfortable sense of, as he had afterwards; but he inserts it in the beginning of his narrative as an intimation that his trouble did not end in despair; for God heard him, and, at length, he knew that he heard him. Observe,
I. His melancholy prayers. Being afflicted, he prayed (Jam 5:13), and, being in an agony, he prayed more earnestly (Psa 77:1): My voice was unto God, and I cried, even with my voice unto God. He was full of complaints, loud complaints, but he directed them to God, and turned them all into prayers, vocal prayers, very earnest and importunate. Thus he gave vent to his grief and gained some ease; and thus he took the right way in order to relief (Psa 77:2): In the day of my trouble I sought the Lord. Note, Days of trouble must be days of prayer, days of inward trouble especially, when God seems to have withdrawn from us; we must seek him and seek till we find him. In the day of his trouble he did not seek for the diversion of business or recreation, to shake off his trouble that way, but he sought God, and his favour and grace. Those that are under trouble of mind must not think to drink it away, or laugh it away, but must pray it away. My hand was stretched out in the night and ceased not; so Dr. Hammond reads the following words, as speaking the incessant importunity of his prayers. Compare Psa 143:5, Psa 143:6.
II. His melancholy grief. Grief may then be called melancholy indeed, 1. When it admits of no intermission; such was his: My sore, or wound, ran in the night, and bled inwardly, and it ceased not, no, not in the time appointed for rest and sleep. 2. When it admits of no consolation; and that also as his case: My soul refused to be comforted; he had no mind to hearken to those that would be his comforters. As vinegar upon nitre, so is he that sings songs to a heavy heart, Pro 25:20. Nor had he any mind to think of those things that would be his comforts; he put them far from him, as one that indulged himself in sorrow. Those that are in sorrow, upon any account, do not only prejudice themselves, but affront God, if they refuse to be comforted.
III. His melancholy musings. He pored so much upon the trouble, whatever it was, personal or public, that, 1. The methods that should have relieved him did but increase his grief, Psa 77:3. (1.) One would have thought that the remembrance of God would comfort him, but it did not: I remembered God and was troubled, as poor Job (Job 23:15); I am troubled at his presence; when I consider I am afraid of him. When he remembered God his thoughts fastened only upon his justice, and wrath, and dreadful majesty, and thus God himself became a terror to him. (2.) One would have thought that pouring out his soul before God would give him ease, but it did not; he complained, and yet his spirit was overwhelmed, and sank under the load. 2. The means of his present relief were denied him, v. 4. He could not enjoy sleep, which, if it be quiet and refreshing, is a parenthesis to our griefs and cares: "Thou holdest my eyes waking with thy terrors, which make me full of tossings to and fro until the dawning of the day." He could not speak, by reason of the disorder of his thoughts, the tumult of his spirits, and the confusion his mind was in: He kept silence even from good while his heart was hot within him; he was ready to burst like a new bottle (Job 32:19), and yet so troubled that he could not speak and refresh himself. Grief never preys so much upon the spirits as when it is thus smothered and pent up.
IV. His melancholy reflections (Psa 77:5, Psa 77:6): "I have considered the days of old, and compared them with the present days; and our former prosperity does but aggravate our present calamities: for we see not the wonders that our fathers told us off." Melancholy people are apt to pore altogether upon the days of old and the years of ancient times, and to magnify them, for the justifying of their own uneasiness and discontent at the present posture of affairs. But say not thou that the former days were better than these, because it is more than thou knowest whether they were or no, Ecc 7:10. Neither let the remembrance of the comforts we have lost make us unthankful for those that are left, or impatient under our crosses. Particularly, he called to remembrance his song in the night, the comforts with which he had supported himself in his former sorrows and entertained himself in his former solitude. These songs he remembered, and tried if he could not sing them over again; but he was out of tune for them, and the remembrance of them did but pour out his soul in him, Psa 43:4. See Job 35:10.
V. His melancholy fears and apprehensions: "I communed with my own heart, Psa 77:6. Come, my soul, what will be the issue of these things? What can I think of them and what can I expect they will come to at last? I made diligent search into the causes of my trouble, enquiring wherefore God contended with me and what would be the consequences of it. And thus I began to reason, Will the Lord cast off for ever, as he does for the present? He is not now favourable; and will he be favourable no more? His mercy is now gone; and is it clean gone for ever? His promise now fails; and does it fail for evermore? God is not now gracious; but has he forgotten to be gracious? His tender mercies have been withheld, perhaps in wisdom; but are they shut up, shut up in anger?" Psa 77:7-9. This is the language of a disconsolate deserted soul, walking in darkness and having no light, a case not uncommon even with those that fear the Lord and obey the voice of his servant, Isa 50:10. He may here be looked upon, 1. As groaning under a sore trouble. God hid his face from him, and withdrew the usual tokens of his favour. Note, Spiritual trouble is of all trouble most grievous to a gracious soul; nothing wounds and pierces it like the apprehensions of God's being angry, the suspending of his favour and the superseding of his promise; this wounds the spirit; and who can bear that? 2. As grappling with a strong temptation. Note, God's own people, in a cloudy and dark day, may be tempted to make desperate conclusions about their own spiritual state and the condition of God's church and kingdom in the world, and, as to both, to give up all for gone. We may be tempted to think that God has abandoned us and cast us off, that the covenant of grace fails us, and that the tender mercy of our God shall be for ever withheld from us. But we must not give way to such suggestions as these. If fear and melancholy ask such peevish questions, let faith answer them from the Scripture: Will the Lord cast off for ever? God forbid, Rom 11:1. No; the Lord will not cast off his people, Psa 94:14. Will he be favourable no more? Yes, he will; for, though he cause grief, yet will he have compassion, Lam 3:32. Is his mercy clean gone for ever? No; his mercy endures for ever; as it is from everlasting, it is to everlasting, Psa 103:17. Doth his promise fail for evermore? No; it is impossible for God to lie, Heb 6:18. Hath God forgotten to be gracious? No; he cannot deny himself, and his own name which he hath proclaimed gracious and merciful, Exo 34:6. Has he in anger shut up his tender mercies? No; they are new every morning (Lam 3:23); and therefore, How shall I give thee up, Ephraim? Hos 11:8, Hos 11:9. Thus was he going on with his dark and dismal apprehensions when, on a sudden, he first checked himself with that word, Selah, "Stop there; go no further; let us hear no more of these unbelieving surmises;" and he then chid himself (Psa 77:10): I said, This is my infirmity. He is soon aware that it is not well said, and therefore, "Why art thou cast down, O my soul? I said, This is my affliction" (so some understand it); "This is the calamity that falls to my lot and I must make the best of it; every one has his affliction, his trouble in the flesh; and this is mine, the cross I must take up." Or, rather, "This is my sin; it is my iniquity, the plague of my own heart." These doubts and fears proceed from the want and weakness of faith and the corruption of a distempered mind. note, (1.) We all know that concerning ourselves of which we must say, "This is our infirmity, a sin that most easily besets us." (2.) Despondency of spirit, and distrust of God, under affliction, are too often the infirmities of good people, and, as such, are to be reflected upon by us with sorrow and shame, as by the psalmist here: This is my infirmity. When at any time it is working in us we must thus suppress the rising of it, and not suffer the evil spirit to speak. We must argue down the insurrections of unbelief, as the psalmist here: But I will remember the years of the right hand of the Most High. He had been considering the years of ancient times (Psa 77:5), the blessings formerly enjoyed, the remembrance of which did only add to his grief; but now he considered them as the years of the right hand of the Most High, that those blessings of ancient times came from the Ancient of days, from the power and sovereign disposal of his right hand who is over all, God, blessed for ever, and this satisfied him; for may not the Most High with his right hand make what changes he pleases?
Spurgeon's Treasury of David
On Psalms 77:1
About this Psalm
TITLE. To the Chief Musician, to Jeduthun. It was meet that another leader of the psalmody should take his turn. No harp should be silent in the courts of the Lord's house. A Psalm of Asaph. Asaph was a man of exercised mind, and often touched the minor key; he was thoughtful, contemplative, believing, but withal there was a dash of sadness about him, and this imparted a tonic flavour to his songs. To follow him with understanding, it is needful to have done business on the great waters, and weathered many an Atlantic gale.
DIVISION. If we follow the poetical arrangement, and divide at the Selahs, we shall find the troubled man of God pleading in Ps 77:1-3, and then we shall hear him lamenting and arguing within himself, Ps 77:4-9. From Ps 77:10-15 his meditations run toward God, and in the close he seems as in a vision to behold the wonders of the Red Sea and the wilderness. At this point, as if lost in an ecstasy, he hurriedly closes the Psalm with an abruptness, the effect of which is quite startling. The Spirit of God knows when to cease speaking, which is more than those do who, for the sake of making a methodical conclusion, prolong their words even to weariness. Perhaps this Psalm was meant to be a prelude to the next, and, if so, its sudden close is accounted for. The hymn now before us is for experienced saints only, but to them it will be of rare value as a transcript of their own inner conflicts .
Exposition
I cried unto God with my voice. This Psalm has much sadness in it, but we may be sure it will end well, for it begins with prayer, and prayer never has an ill issue. Asaph did not run to man but to the Lord, and to him he went, not with studied, stately, stilted words, but with a cry, the natural, unaffected, unfeigned expression of pain. He used his voice also, for though vocal utterance is not necessary to the life of prayer, it often seems forced upon us by the energy of our desires. Sometimes the soul feels compelled to use the voice, for thus it finds a freer vent for its agony. It is a comfort to hear the alarm bell ringing when the house is invaded by thieves. Even unto God with my voice. He returned to his pleading. If once sufficed not, he cried again. He needed an answer, he expected one, he was eager to have it soon, therefore he cried again and again, and with his voice too, for the sound helped his earnestness. And he gave ear unto me. Importunity prevailed. The gate opened to the steady knock. It shall be so with us in our hour of trial, the God of grace will hear us in due season.
Tyndale Study Notes
On Psalms 77:1-2
Ps 77 The psalmist laments that God has turned away from him, even though he feels innocent. He reflects on his situation (77:3, 6, 12) and finds hope (see 25:5) in remembering God’s past deeds (77:11).
77:1-3 The night provides a special opportunity for prayer and meditation (77:6, 11; see 6:6; 16:7; 17:3; 30:5; 63:6; 119:55, 62, 148).
Tyndale Open Study Notes · CC BY-SA 4.0